Colin Trevorrow Says Dinosaurs Won’t Rampage Through Cities In Jurassic World 3

In an interview with Jurassic Outpost, director Colin Trevorrow said that even though Jurassic World: Fallen Kingdom ended with dinosaurs out in the real world, the sequel won’t feature the animals rampaging through cities. Here are highlights:

On how involved he is with choosing the dinosaurs for the films: “I’ve been lucky enough to be able to choose the dinosaurs, but Derek Connolly and JA Bayona and now Emily Carmichael will have each made contributions when it’s all said and done. It’s just a bunch of kids sitting on the floor with their toys. It’s the best part of my job, but also the hardest. You have to keep some great ones in the tank. I love the Carnotaurus and the Baryonyx, but I didn’t want to just see them in the background in Jurassic World. They deserve an entrance. So we put them on the park map, but held the reveal for the second film. The next film is even more fun because the opportunities have really opened up.”

On if dinosaurs will terrorize cities: “I just have no idea what would motivate dinosaurs to terrorize a city. They can’t organize. Right now we’ve got lethal predators in wild areas surrounding cities all over the world. They don’t go pack hunting for humans in urban areas. The world I get excited about is the one where it’s possible that a dinosaur might run out in front of your car on a foggy backroad, or invade your campground looking for food. A world where dinosaur interaction is unlikely but possible—the same way we watch out for bears or sharks. We hunt animals, we traffic them, we herd them, we breed them, we invade their territory and pay the price, but we don’t go to war with them. If that was the case, we’d have lost that war a long time ago.”

On if feedback for Jurassic World informed Fallen Kingdom: “It did. We definitely took a turn into the darker side of Jurassic Park with that script. The first film was such a bright, colorful pop adventure. With Fallen Kingdom, we were looking to explore the uglier side of humanity and our cruel treatment of living creatures. But I think Bayona kept us from going too far—he embraced the darker elements, but also brought his own sense of playfulness and humor to the proceedings. When we initially wrote the dinosaur auction, we were imagining a dirty, unsavory bunch of animal traffickers huddled in a basement, trading lives for money. He turned it into the sequence you see in the film, which was more like a Sotheby’s auction for the super-wealthy. I think it played much better for kids, and was the right choice when balanced against the poor treatment of the animals we were seeing, which could have become irreparably sad. That’s the benefit of working with another director—you can see different sides of the story through their eyes.”