411 Box Office Report: Spider-Man: Brand New Day Beats Insidious For Fourth Week At #1

Spider-Man: Brand New Day beat down the Insidious ghosts at the box office to spend a fourth weekend at #1. The MCU film reigned supreme again for the frame as it dropped a very decent 45% from last weekend to gross $39 million.

That number is keeping Brand New Day heads and tails ahead of Avengers Endgame in week-to-week comparisons. The film now has $854.9 million domestically and $2.220 billion worldwide, just a breath behind Endgame’s $858.4 million domestic. It still has a ways to go in order to beat that film’s $2.718 billion worldwide total.

Brand New Day is now the third-highest grossing film domestically and will top Endgame for the #2 slot by Tuesday at the latest. It probably won’t top Star Wars: The Force Awakens’ $936.7 million domestic record, but it’s also not entirely impossible depending on holds. Either way, it’s obviously a history-making hit against its $225 million budget.

While Insidious: Out of the Further couldn’t take the top spot away from Spidey, it performed respectably with a $25.3 million opening. That’s at the high end of what expectations were coming into the weekend. It ranks in the bottom half of Insidious opening weekends, head of only the first film’s $13.3 million start in April 2011 and Insidious Chapter 3’s $22.7 million launch in June of 2015. By comparison, the last film was Insidious: The Red Door which opened to $33 million in July of 2023.

That’s not to say that this is a problem for Sony Pictures, who knew that this film wouldn’t top the last one. The Red Door was the concluding chapter of the Lambert family’s horror adventures and was heavily billed as such. Out of the Further had to kick off a new stage of the franchise — and we can ask Marvel’s Phase Four how easy that is.

Out of the Further did have the benefit of being better liked than The Red Door. The critic aggregate on Rotten Tomatoes still isn’t great, but a 58% is actually the best for the series since the first film’s 66%. The C+ CinemaScore and 70% are also par for the course.

Out of the Further also got off to a decent overseas lunch with $35 million for a $60.3 million worldwide start. Against an $18 million budget, it’s already moving set to be a profitable film. The franchise isn’t exactly a leggy one, but if it can follow the same path as The Red Door it could end with around $60 million stateside.

The Odyssey continued to have great legs as it slipped just 17% in its sixth weekend to $19.5 million. The Christopher Nolan film has now become his biggest domestic grosser at $539.1 million and was already his biggest worldwide where it’s now at $1.446 billion. It should be able to reach $575 million or so in the US, maybe more, and is obviously hugely profitable against a $250 million production budget.

PAW Patrol: The Dino Movie was down 55% in its second weekend to gross $9.1 million. That’s higher than the last PAW Patrol film, which was down 50% in its second frame. The Dino Movie now has $35.4 million in the US and $83.9 million worldwide, heading toward profit against a $40 million budget thanks to the overseas numbers. Stateside it should finish around $50 million to $55 million or so.

The End of Oak Street slipped 57% in its sophomore weekend to ring up $9 million. Warner Bros. wanted better a hold for the PG-13 dino action thriller, but this was mostly expected. It has now totaled $38 million in the US and $76.1 million worldwide, with the $80 million budget proving to be a bit of a problem. It should end its domestic run around $55 million.

Jason Statham returned to theaters with Mutiny, which opened right as expected with $7.5 million. That’s an improvement over the $5.5 million launch of the Stathm starrer Shelter in January, though less than half of the $15.5 million that A Working Man opened to in March 2025.

On the surface, this would seem to be a bad start for the Lionsgate-distributed film as it cost a reported $40 million. However, Lionsgate is only distributing the domestic at a $15 million cost. Statham’s films always do well overseas and Lionsgate also had a lower ad spend than A Working Man, which was an Amazon MGM release. We don’t have numbers for Mutiny overseas yet, but the audience reactions are strong (87% RT audience rating, B+ CinemaScore) and the 51% critic aggregate isn’t low enough to hurt it. Domestically it should be able to make it to $20 million or so — not enough for theatrical profit, but digital revenue should push it close at least.

Coming in at #7 was the Anthony Bourdain biopic Tony from A24. The drama took in a solid $5 million as it expanded into semi-wide release. The film is a critic favorite with a 92% RT aggregate, and moviegoers love it with a 92% RT audience rating.

It’s not clear how long Tony will play in theaters, but this is a strong start for the film. No word on the budget, but it seems likely to get to the teens range in domestic box office even if it doesn’t get platformed up.

Spa Weekend opened quietly to $3.1 million. The ensemble comedy comes from Black Bear and didn’t have critic support with a 31% RT score. Audiences are okay with it, if not in love, at a B+ CinemaScore and 74% RT audience rating. The opening is better than the studio’s start for May’s In the Grey, which launched in the US to $2.9 million. It should end its run around $8 million in the US, not stellar against a $20 million budget.

The Fast & The Furious received a 25th anniversary rerelease and added $3.1 million to its totals. The 2001 franchise starter now has $148.3 million domestically across all releases and $210.2 million worldwide. As with all rereleases, this is largely just extra money.

Teenage Sex & Death At Camp Miasma went semi-wide this weekend and climbed into the top 10. The Jane Schoenbrun-directed meta-horror film reps their first entry into the top 10 and the best weekend of their directorial career, ahead of I Saw The TV Glow’s $1 million weekend in May of 2024.

Camp Miasma was never going to be a chart topper, and distributor Mubi was well aware of that fact. The studio is undoubtedly happy with where this is landing, buoyed by critics’ love at a 95% RT critic aggregate. The audience score is a bit lower at 79%, but again that was expected as a surreal queer indie film that leans into horror comedy. Each one of those descriptors are hard sells individually; add them together and it’s one audiences could have easily rejected en masse.

Instead, it’s performing well enough at $3.7 million domestically and $4.1 million worldwide, close to the $5.4 final gross for TV Glow. Mubi will reap profit once it hits their streaming service against a $10 million budget (the same as TV Glow). In terms of theatrical, it should close domestically around $7 million.

Spider-Man will be in a race for #1 next weekend as it goes up against the long-delayed Coyote vs. Acme and 20th Century Studios’ sci-fi action film The Dog Stars. Coyote vs. Acme is looking at between $12 million to $18 million, while Dog Stars is targeting $18 million to $20 million.

Box Office Top Ten (Three-Day Domestic Numbers)

1. Spider-Man: Brand New Day – $39 million ($854.9 million total, $2.220 billion WW)
2. Insidious: Out of the Further – $25.3 million ($25.3 million total, $60.3 million WW)
3. The Odyssey – $19.5 million ($539.1 million total, $1.446 billion WW)
4. PAW Patrol: The Dino Movie – $9.1 million ($35.4 million total, $83.9 million WW)
5. The End of Oak Street – $9 million ($38 million total, $76.1 million WW)
6. Mutiny – $7.5 million ($7.5 million total, $7.5 million WW)
7. Tony – $5 million ($6.7 million total, $7.2 million WW)
8. Spa Weekend – $3.1 million ($3.1 million total, $3.1 million WW)
9. The Fast & The Furious – $3.1 million ($148.3 million total, $210.2 million WW)
10. Teenage Sex & Death At Camp Miasma – $1.9 million ($3.7 million total, $4.1 million WW)