411 Box Office Report: Toy Story 5 Holds Onto Top Spot, Supergirl Starts Low

Toy Story 5 was undefeated in its second weekend at the box office as Supergirl opened below expectations. The latest in the Pixar franchise brought in $70 million in its sophomore frame, down 56% from its franchise record opening weekend. That’s slightly higher than Toy Story 4’s 51% drop, but still quite good for a film that opened so high.

Toy Story 5 is delivering on all fronts for Disney and Pixar thus far with $297.2 million domestically and $585 million worldwide, great numbers even against a $250 million production budget. As it stands, it still seems likely to cross the $400 million mark and has a chance to surpass Toy Story 4’s $434 million domestic total. It’s a hit for the studio, obviously.

The same cannot be said for Supergirl, which stumbled out of the gate. The second film in the DCU opened at $38 million, below the modest $40 million that was expected going into the frame. That’s not a great start for the film, to put it kindly. The nicest thing we can say is that it’s better than the $27.7 million start of Aquaman and the Lost Kingdom in December of 2023 and the $30.1 million opening of Shazam! Fury of the Gods in March of the same year.

To be clear, that’s damning via faint praise. Both of those films were considered to be financial failures, and while Supergirl will top Fury of the Gods’ $57.7 million domestic final, Lost Kingdom was able to leg out to $124.5 million due to the holiday season, with $440.2 million worldwide. Those are final numbers that Supergirl will have trouble matching.

There are a couple of factors at play here. First off, Supergirl has always paled in the shadow of her Kryptonian cousin when it comes to financials and brand recognition — and the way that several news outlets referred to her as “the female Superman” made it clear that this film wasn’t changing that. Additionally, while 2025’s Superman was quite liked by critics with an 83% Rotten Tomatoes aggregate score, Supergirl was a much less impressive 56%. The difference in audience reaction was palpable as well, scoring a 77% RT audience rating and B- CinemaScore compared to Superman’s 90% and A-. And finally, to be frank, it’s just a very crowded time at the box office right now and Supergirl got lost in the shuffle.

All that adds up to trouble for the $170 million production, which added just $30 million overseas for a $68 million worldwide start. Even if it does manage to put together strong box office legs, Supergirl is unlikely to get much above $110 million — and $90 seems much more likely. This one will be a money loser for DC Studios.

Obsession continues to shine as the Curry Barker-directed horror film was off a mere 27% in its seventh weekend to rake in another $9.8 million. That puts the film at $233.9 million domestically and $370.1 million worldwide against a budget of just $1 million. It is now the fourth-highest domestic grossing horror film of all time and the 16th-highest worldwide. The film looks like it will close out around $250 million.

Supergirl wasn’t the only film that had a disappointing opening this weekend as Jackass: Best and Last did not live up to the “best” part of its title by a long shot. The sixth and (presumably) final film in the prank-filled franchise opened to just $8.4 million, below the low double digits Paramount Pictures was hoping for. That is by far the lowest start for the series; the previous low was Jackass: The Movie , which opened to $22.8 million all the way back in 2002.

So, what went wrong with this one? For one, as I mentioned before this is a busy box office and all the people who might potentially see this are instead going back to Obsession or other options. But in addition to that, this is just a franchise that audiences have passed by. There wasn’t much demand for this film, but that never stopped Hollywood before.

Jackass: Best and Last got good reviews (88% on RT) and those who went liked it with an 85% RT audience rating and A- CinemaScore. But this is a franchise where critical regard makes no difference. Those audience numbers may help; the CinemaScore is the best of the series, and the audience score isn’t far off from Jackass Forever’s 91%. But even at its best, this is a frontloaded series. It added $1.9 million overseas for a $10.3 million worldwide start against a $10 million budget. Domestically it probably will end at around $22 million or so — and it’s important to note that this film will find some profit once it hits Paramount+ — but it’s (appropriately enough) a kick between the legs to finish off the series on.

Disclosure Day is continuing to fade away, down 54% in its third weekend with $8.1 million. That brings the Steven Spielberg film’s totals to $94.4 million in the US and $193.7 million worldwide. With a $110 million budget, this will break even but probably not go above that. It will hit around $110 million to $115 million, good enough but not a hit.

Backrooms eased 40% to add $4.3 million to its totals in its fifth weekend. The liminal horror film is a hit for A24 with $184.2 million stateside and $330.1 million worldwide. It’s probably going to finish a shade under $200 million, huge for a $10 million budgeted movie.

Scary Movie was down 53% in its fourth weekend, grossing $3 million. The horror spoof is a big hit for Paramount at $103.5 million in the US and $207.9 million worldwide on a $30 million production budget. It will end its run at about $110 million.

A bit of counterprogramming landed at #8 in BLEACH: Thousand-Year Blood War — The Calamity. The anime film grossed $2 million, perfectly solid. The numbers aren’t top-tier for anime, but we’re also talking about the concluding arc for a long-running anime series which makes its audience niche among a niche, even with BLEACH’s popularity. We don’t have international numbers, but this Fathom release should be profitable like most targeted anime releases are.

Masters of the Universe drifted away, down 61% in its fourth weekend to $2.2 million. The Amazon MGM is a money loser in theaters at $61.9 million domestically and $106.9 million worldwide against a $170 million budget. It will close out at around $65 million stateside.

The Mandalorian & Grogu dove 62% in its sixth weekend to gross $1.6 million. The Star Wars film is now up to $175.3 million stateside and $331.9 million worldwide against a $165 million budget. It is a disappointment but not a bank breaker and will finish around $177 million.

Next weekend is Fourth of July, and Minions & Monsters should claim the top spot. The Minions franchise entry opens on Wednesday and is looking at around $70 million to $75 million over the three-day frame. Angel Studios’ Young Washington is looking at a $25 million-plus start.

Box Office Top Ten (Three-Day Domestic Numbers)

1. Toy Story 5 – $70 million ($297.2 million total, $585 million WW)
2. Supergirl – $38 million ($38 million total, $68 million WW)
3. Obsession – $9.8 million ($233.9 million total, $370.1 million WW)
4. Jackass: Best and Last – $8.4 million ($8.4 million total, $10.3 million WW)
5. Disclosure Day – $8.1 million ($94.4 million total, $193.7 million WW)
6. Backrooms – $4.3 million ($184.2 million total, $330.1 million WW)
7. Scary Movie – $3 million ($103.5 million total, $207.9 million WW)
8. BLEACH: Thousand-Year Blood War — The Calamity – $2 million ($3 million total, $3 million WW)
9. Masters of the Universe – $2.2 million ($61.9 million total, $101.9 million WW)
10. The Mandalorian & Grogu – $1.6 million ($175.3 million total, $331.9 million WW)